A Queen
Dubliner Thomas O’Gorman died from multiple
knife wounds
sustained during a chess game.
—Sky News
“There’s
nothing more pointless than chess,” the downcast grandmaster in the hat with
the sunken crown confided to my ear. “You concoct ambitious plans, you’re an
emperor, a strategist, a master of elephants, cavalrymen, siege towers, an
entire army awaits your orders… and all for nothing. You can be a little more
adroit, a little more whip-smart than your opponent, but that’s it. Someday
they’ll invent an engine that’ll learn all possible combinations of moves and
calculate all possible positions. It’ll outplay all the champions, and then the
whole affair will become nothing but a meaningless game of high-aspiring
wits.”
The grandmaster broke into a fit of
coughing and pulled his crumpled hat further down on his brow.
“Believe you me. Chess is a lie. An
illusion. The game’s monomaniacal greats… just recall who they were. La Bourdonnais, Morphy, Pillsbury—all mentally disturbed. Schlechter—died of starvation and privation. Steinitz—went insane. Rabinovich—committed to a mental institution. Capablanca—died of severe cerebral sclerosis. Alekhine—cooperated
with the Nazis, died desperately alone after choking on a piece of meat. The
game imparted meaning to their lives. Lives they ended up losing to it. Before
killing himself, a Jinhua man named Liao killed his chess partner—didn’t want
to be left without an opponent in the hereafter. ‘Chess is ruthless,’ the
deranged Short has said. ‘You have to be prepared to kill’. Is the pursuit of
an illusion worth such a price?”
The grandmaster fell abruptly silent. He
took a backward step; furious now, he began flinging chess pieces from out the
pockets of his old speckled overcoat. Pawns, bishops, knights scattered across
the road. “Wretched things,” he bellowed. “I detest them!”
His pockets emptied, he wrenched his
threadbare hat from his head and hurled it in the same direction. He stood in
the light of a streetlamp, the tails of his overcoat flapping open in the wind.
I moved off, glancing back at him, alarmed by his tirade. On gaining the
ill-lit entrance to the nondescript hotel where I was lodged that evening, I
turned around. My accidental interlocutor stood stock-still beneath the streetlamp.
His aspect astounded me. The upturned chin,
the sharp profile of the head, the black corner of the collar, the open
overcoat—all this recalled a sculpture forged from iron by a proficient hand.
Yesterday, while attending to a tedious
business matter, I found myself on the town’s main street. I remarked a
souvenir shop and decided to call in: I would purchase a trinket as a gift to
my solitary sister. The little copper bell overhanging the door dully announced
my entry. The portly waistcoated proprietor waved a hand in greeting. It was
really more of a junk store, this souvenir shop. I was, I suppose, one of those
rare droppers-by looking to while away an idle moment there. But, with the
exception of a few cheap handmade knick-knacks, Indian and Chinese, I found
nothing that captured my interest.
I was making to leave when something
familiar caught my eye from the depths of the shop. A human-sized figure stood in a shadowy nook.
“What’s that back there?” I said to the
proprietor, who’d been bustling about in the hope of flogging me something.
“Ah, that’s a chess queen,” he said,
scrambling to seize the figure by the waist and drag it over. “Weighs a ton!”
“That can’t be,” I whispered, drawing
involuntarily back. Before me stood the grandmaster I had happened upon in the
street a few days prior. I saw it all: the upturned chin, the well-worn
speckled overcoat, the sharp profile of the defiantly-held head. Regaining my
composure somewhat, I reached out to touch his sleeve, but only to withdraw my
hand at once—my fingers encountered an iron silence.
Seeing my bewilderment, the proprietor
launched into a rapid-fire explanation. The figure, he said, was very valuable,
a uniquely designed queen which, its weight notwithstanding, could be delivered
to any specified address. I stood there, dazed, but at length composed myself
enough to inform the proprietor that I did not play chess and had no
understanding of it. The proprietor, though, had already scented the turmoil
that gripped me when I saw the figure, and set about convincing me that I must
buy it. I don’t know what took hold of me in that moment, but, possessed by a
mania of sorts, I scrawled my address onto a scrap of paper, paid the
now-beaming proprietor, and dashed out.
Today the figure was delivered to me. I had
no sooner returned from my trip than a trio of removal men hauled it into my
first-floor room. What am I to do with it now? The grandmaster stands in the
corner, by the window, head still held high, and regards me with unblinking
eyes. One night, perhaps, he’ll let derangement set in, after the fashion of
his fanatic idols, and strangle me with an iron hand.
Translated
from Russian by Leo Shtutin
Jonathan Vidgop
Jonathan Vidgop is a theatre director, author,
screenwriter, and founder of the Am haZikaron Institute for Science and
Heritage of the Jewish People in Tel-Aviv, Israel. Born in Leningrad in 1955,
Jonathan was expelled in 1974 from what is now called the Saint-Petersburg
State University of Culture and Arts “for behavior unworthy of the title of
Soviet student.” Having worked as a locksmith, loader, and White Sea sailor, he
was drafted into the army and sent to serve in the Arctic Circle. He is the
author of several books. Two chapters from his latest novel,
Testimony, published by the leading Russian Publishing House NLO, “Birdfall”
and “Man of Letters,” were published in English in Goats Milk Magazine and The
CHILLFILTR Review. A story was recently accepted by Los Angeles Review, and
another by Pembroke Magazine. The story “Nomads” is the recent winner of the
Meridian’s Editors’ Prize in Prose. Vidgop's last publication in the
Singaporean Kitaab was also published by the Japanese Kaidankai.
Thanks for sharing this with us! My son plays a lot, and I am his sparring partner. I appreciated the new perspective.
ReplyDelete