Sea
Shanty: A Pseudo-Sonnet
there’s
a narrow inlet
just
off the seafront promenade
in
Old Saybrook, where
the
low wind makes a Lilliputian
surf
of wavelets, all two inches tall
listen!
They’re whispering
a
kind of ocean baby-talk,
going
– flip-lisp-flip-lisp
I
sometimes sit and monitor
as
grayness from the sea and sky
comes
over the gray gravel
in
a hiss of effervescence,
as the wave hesitates
before it turns, top of the
swash,
and slides back down to the
sea
Charles D. Tarlton is a retired politics professor who has been
writing poetry and short prose since 2006. He lives in Old Saybrook, Connecticut
with his wife, Ann Knickerbocker, an abstract painter, and a black female
standard poodle named Nikki.
He published poetry since 2006 has appeared in Jack Magazine, Shampoo, Review Americana, Tipton, Barnwood, Abramelin, Ink, Sweat, and Tears, The Houston Literary Review, Simply Haiku, Haibun Today, Ink, Sweat, and Tears, Atlas Poetica, Contemporary Haibun Online, Blue and Yellow Dog, Shot Glass, Sketchbook, Skylark, Six Minute Magazine, Cricket Online Review, Red Booth Review, Linden Avenue Literary Journal, Rattle, Dark Matter, Muse India, Inner Art Journal, Prune Juice, Ekphrastic Review, Blackbox Manifold (UK), Undertow Tanka Review, Spirit Wind Gallery, Randomly Accessed Poetics, Ribbons, Unbroken Journal, KYSO Flash, Ekphrastic Review, tinywords, Red Lights, The Journal (UK), Tallow Eider Quarterly, The American Aesthetic, London Grip, Book Ends Review, Ilanot Review, Clackamas Literary Review, Peacock Journal, Innisfree Poetry Journal, Nebo, and Palette.
there is an elegance to this work that harkens back to a more classic period of writing. well done and stately.
ReplyDelete