Betrayal
At
midnight I leveled my extension ladder against the west wall of his house and
climbed to the roof, where I capped his chimney with a wooden board before
taking a hammer to his satellite dish. After I clambered back down—no, I wasn’t
quiet, why in the hell should I be quiet? —I rattled the ladder back to the
garage and grabbed the channel locks. Then I walked in a straight line from my
driveway to his backyard, slicing through the wedge of weak light cast by the
crescent moon. Even reinforced steel cowers behind a three-dollar combination
lock not fit to protect a tricycle. I cut like a barber, like a butcher, like
someone in the business of serious division.
Then I
went at the yard, prying the stops off his glider swing and loosening the
insect brigade—1000 white grubs that I bought online for a song—into his
Kentucky bluegrass, which is drought, cold and disease resistant. Guess what it
can’t resist? Me and 1000 grubs. So what if they
destroyed my lawn after turning his into a wasteland; I was going down with the
ship. Next I would research ash borers, leaf miners and Japanese beetles, gypsy
moths, saw flies and small weevils. Unlike my wife, nature would be my ally,
offsetting the injuries my neighbor has inflicted on me lo these many months.
As I
stared at the moon in its feeble hangnail glory, I imagined I could hear those grub jaws
working, sawing into the roots of that green, green grass, its masticated
remains moving like dark shadows through a drove of tiny C-shaped colons. These
little guys were my soldiers, each one an inch of pure determination with six
spiny legs tearing into my neighbor’s realm. I smiled as I took a tally: Gas
siphoned from his lawn mower? Check. Motion light aimed at his bedroom window?
Check. Change of address to his ex’s house in Champaign? Check.
I am not
an evil person, but that night as I thought about him—about them—drinking coffee on a swing that
would sail off its unblocked rails onto ground being eaten from under them by a
platoon of ravenous vermin, I slept as snugly as a Cyclocephala burrowed under a foot
of Kentucky blue.
Dorene O'Brien
Dorene O’Brien is a
Detroit-based writer whose stories have won the Red Rock Review Mark
Twain Award for Short Fiction, the Chicago Tribune Nelson
Algren Award, the New Millennium Writings Fiction Prize, and
the international Bridport Prize. She is also an NEA, a Vermont Studio Center
and a Pfeiffer-Hemingway creative writing fellow. Her work has been nominated
for three Pushcart prizes, has been published in special Kindle editions, and
has appeared in the Baltimore Review, Madison Review, Best of
Carve Magazine, Short Story Review, Southern Humanities
Review, Detroit Noir,
Montreal Review, Passages North, and others. Voices
of the Lost and Found, her first fiction collection, was a finalist for the
Drake Emerging Writer Award and won the USA Best Book Award for Short Fiction.
Her fiction chapbook, Ovenbirds and Other
Stories, won the Wordrunner Chapbook Prize in 2018. Her second full-length
collection, What It Might Feel Like to
Hope, released in 2019, was named first runner-up in the Mary Roberts
Rinehart Fiction Prize and won a 2019 gold medal in the Independent Publishers
Book Awards (IPPY). She is currently writing a literary/Sci-Fi hybrid novel.
Tags:
Short Fiction