Rice
Recently,
some people are saying that rice contains arsenic, so be careful when eating
rice, especially white rice. Then, there are other people who say that brown
rice becomes poisonous when not washed thoroughly before being cooked; one
should avoid consuming brown rice in large quantities. Dang! I’d just managed to convince the family that
brown rice, being of a higher glycemic index is better than polished white
rice, staving off hunger pangs more efficiently and is better for losing weight
with. Diabetics benefit more from eating brown rice, the article advices. Since
my mother’s mother was a diabetic and died from blood sugar poisoning, I
thought it wise to heed this latest advice on brown rice. My younger daughter
shed some genuine tears when I told her that we are no longer eating white rice
at home.
The
very first time I saw my mother crying was the day that Grandmother died.
Mother never cries. She shouts and curses, hits and smacks, but cries, never!
It was a hot night, I remember; the air was stifling. My bedroom still warm
from facing the afternoon sun made sleep difficult; the electric fan did not
bring much respite, only the desperation to fall asleep. I got up to take a pee
and that was when I spied a crack of light escaping from my parents’ room. I
pushed the door open and saw Mother, dressed in preparation to go out; she
was wiping tears away while putting on some green eyeshadow.
“What
happened?” I asked, concerned. It’s strange to see her crying. She wasn’t
sobbing nor were her shoulders heaving in grief like how someone cries in the
movies. There was no sound to her crying, only tears forming in her eyes and
spilling down her cheeks as she went through the motions of putting on her
face. The shower was running as Father prepared to go out. It is very late at
night. I know this because the curtains were drawn and the street outside was
quiet.
“My
mother died tonight,” she answered softly without looking at me, her voice
strained but not giving away much emotions. She was wiping away tears with the
back of her left hand and trying to apply make up with her right
simultaneously, one eye was shut voluntarily as if winking so that she can
smear the green powder on its lid.
It’s
funny how she didn’t say ‘your grandmother died tonight’. After all,
this is how she always refers to Grandmother. The possessive ‘my’ next to
'mother' added a new layer of meaning to grandmother: she is my mother’s mother
and belongs to her. But she is my grandmother and belongs to me but she is not
my mother, yet somehow, we are all joined in unity: ‘My mother’ connects me,
Mother and Grandmother in one unbreakable blood chain that goes backwards
beyond life and forwards beyond death.
Grandmother
was a stranger to me for most of my life. As far as I can remember, she was ill
throughout my childhood and then she died. When I was eight years old, she
became paralysed from a stroke caused by ingesting a glass of glucose which
someone in the family had made her drink in the belief that glucose water would
cure diabetes. Cure like with like was the advice that Grandfather’s third wife
proffered, the advice he heeded. Mother seldom spoke of Grandmother but this
was the only story she would tell. Without saying much, Mother did the dutiful
thing of visiting her ailing mother once a week to check that everything was as
it should be: her mother was being fed, washed and kept comfortable by the rest
of the family and that nobody was giving her any more glucose water.
Grandfather’s third wife never visited again. My mother is the eldest of
sixteen children by Grandmother, wife number one, and it was her duty to see
that things ran smoothly in the house, even though she had stopped belonging to
her mother’s household when she got married, as dictated by Chinese customs.
Still, duty-bound, she went on looking after her mother until the day she
passed on. The Chinese call this duty filial piety. Not even death can
terminate this obligation. Filial piety ensures that the dead continue to exist
amongst the living and that life carries on into eternity. Ancestor worship is
a traditional Taoist custom combining a sense of magic realism keeping the dead
alive through veneration by the living: every human soul can become divine but
only in death.
Grandmother
was fond of rice. She loved the watery rice porridge that was eaten with
pickled mustard greens and salted duck’s egg; this was a typical Teochew diet.
The salted egg was a luxury in poverty stricken Malaya during the Japanese
Occupation and continued to be so many decades after liberation. When eggs were
scarce and money insufficient, Grandmother would fry pieces of pork lard until
they became brown and crispy. She would drain the oil from the crispy pieces
and use it for stir frying vegetables later. These morsels-of-heart-attack would
accompany her daily gruel of rice porridge; there would always be enough to
feed her children and husband when he felt like coming home for a meal.
Sometimes, she would drizzle some oil from the lard onto her gruel to take away
the blandness. My fourth aunt never tires of telling me this story for she
loved the crispy pork crackling that Grandmother made often.
The
priest whom the family consulted had advised a ritual of feeding the deceased
during the funeral. The extended family was a mix of Buddhists, Taoists,
Christians and Atheists but all were willing to go through the ritual for none
knew what to do for the better.
Some
people came to set up a marquee in Grandmother’s front porch a day before her
coffin arrived home. A wooden table, covered with a piece of cloth that had the
Eight Immortals embroidered on it, held a ceramic joss-stick holder filled with
sand and was placed in front of the opened coffin which lay in wake under the
marquee right outside the front door. On the same table, someone had put a
fruit bowl, dishes filled with food, and a bowl of rice; there was a dish
filled with crispy pork crackling next to the bowl of rice. As soon as
Grandmother came home, Mother and her siblings had to light a joss-stick each
while calling their mother. The priest explained that her spirit needs to know
where to come home to and the joss-sticks and her children calling for her
would show it the way. I asked Grandmother if she minded sleeping outside. She
never answered which was normal because even when she was alive, she never
spoke to me. She had given up speech the day she discovered that Grandfather’s
third wife wanted her dead.
I
watched from the living room window as my aunts and uncles busied themselves
over where things should be set and what they should be doing during the
funeral. There were many people on Grandmother’s front porch in constant
motion. The day’s events seemed very chaotic to my child’s eyes. It seemed that
the adults didn't know quite what to do and we were left to our own devices
since the adults were too busy to supervise us. I sat under the dining table
covered by a white table cloth too big for it. The overhanging cloth made for a
good hiding place where I could read and sketch; I had my own little marquee.
The
scent of cooked rice filled the air. Mother was calling for me. I popped my
head out from under the round dining table with a marble top and heavy rosewood
legs. Mother took my hand and led me towards the coffin. I resisted, afraid of
the body lying within, afraid that her spirit would her wake up. Mother pinched
me hard on my right thigh and dragged me where she wanted me to go. The priest
was chanting a prayer in a language I didn’t understand and my uncle Philip,
the eldest son, was at the head of a line that had formed at the top of the
coffin where Grandmother’s head was placed. The adults had formed a line and
the grandchildren, ten in all, had to form another, behind my youngest aunt. I
was at the head of the line for the grandchildren because I was the first grandchild.
The
priest handed my uncle Philip a blue and white ceramic bowl filled to the brim
with rice rounded at the top to resemble a mound. A pair of chopsticks was
subsequently handed to him too. On the priest’s instructions, starting with
uncle Philip, all of Grandmother’s children and grandchildren had to feed her a
chopstick full of rice and say this: “In life, you fed
me, in death I am now feeding you” as they stuffed her mouth with some rice.
Grandmother’s
eyes were pressed shut with a silver coin on each lid, a Taoist ritual. By the
time it came to my turn to feed her her chopstick of rice, grains of white rice
had already spilled from her stuffed mouth, sticking to her chin and collar.
She was dressed in her favourite samfoo, a blouse and trouser suit worn
by many Chinese women in Malaya. Although this was not the traditional way to
bury the dead in Taoist customs, it was all the family could do as Grandmother
did not have a funeral outfit made during her lifetime. If she had one, it was
lost during the war when many homes and villages were looted by Japanese
soldiers.
I
looked in wonder at Grandmother’s ashen face and her mouth that was filled with
rice. There’s nothing as macabre and fascinating as the death mask of a loved
one, especially from the point of view of a child. Some people would say that
this was a gruesome ritual to put a child through. Others would defend the
ritual’s tradition and heritage.
Rice
is an important staple to billions of people in the world. Rice is a
measurement of wealth, of success and of life because in life we are fed as in
death with this grain that some other people have said contains arsenic.
Eva Wong Nava
Eva
Wong Nava is an Art Historian, Educator and Writer. She founded CarpeArte
Journal where she publishes her fiction and ramblings of the art sort while
leaving room for others to do the same. She lives between two worlds, literally
and physically, and is based in a small city-state not far from the equator.
When not doing anything else, she reads copiously and writes voraciously,
always wishing there were more hours in the day to do more with the written
word. She is the author of a forthcoming children's book which encourages young
readers to be more compassionate to people on the Autism Spectrum.
Tags:
Short Fiction
Very well written and tremendously interesting.
ReplyDeleteBeautiful and moving story. Great descriptive words that enhance my awareness of the scene.
ReplyDeleteSo good, Eva!
ReplyDelete